1112 (sounds almost like beethoven)

blue iris

RIPENESS

Ripeness is
what falls away with ease.
Not only the heavy apple,
the pear,
but also the dried brown strands
of autumn iris from their core.

To let your body
love this world
that gave itself to your care
in all of its ripeness,
with ease,
and will take itself from you
in equal ripeness and ease,
is also harvest.


And however sharply
you are tested –
this sorrow, that great love –
it too will leave on that clean knife.

--ⓒ 2009 Jane Hirshfield

WILD GEESE


You do not have to be good.
You do not have to walk
on your knees
for a hundred miles through the desert repenting.
You only have to let the soft animal of your body
love what it loves.
Tell me about despair, yours, and I will tell you mine.
Meanwhile the world goes on.
Meanwhile the sun and the clear pebbles of the rain
are moving across the landscapes,
over the prairies and the deep trees,
the mountains and the rivers.
Meanwhile the wild geese, high in the clean blue air,
are heading home again.
Whoever you are,
no matter how lonely,
the world offers itself to your imagination,
calls to you like the wild geese, harsh and exciting--
over and over announcing your place
in the family of things.

--ⓒ 2009 Mary Oliver


BLUE IRIS

Now that I'm free to be myself, who am I?

Can't fly, can't run and
see how slowly I walk.

Well, I think, I can read books.

"What's that you're doing?"
the green-headed fly shouts
as it buzzes past.

I close the book.

Well, I can write down words,
like these, softly.

"What's that you're doing?" whispers the wind,
pausing in a heap
just outside the window.

Give me a little time, I say back to its staring, silver face.
It doesn't happen all of a sudden, you know.

"Doesn't it?" says the wind, and breaks open, releasing
distillation of blue iris.

And my heart panics not to be,
as I long to be,
the empty, waiting, pure, speechless receptacle.

--ⓒ 2009 Mary Oliver

mum's the word

they don't know who made this print, so they don't know when. the japanese chrysanthemum.

this one they do know, it's from the late 1800s, and it's by bairei kono, creator of lovely, simple images of fruits, vegetables, flowers, puppies, and other familiars of everyday life, seen unadorned, and beautifully.

in 1893, keika hasegawa put out his '100 chrysanthemums.' i can find no reference to anything else he ever did, nor anything about him. but i like his mums.

it was 1904 when seguy put out his art nouveau flower pouchoirs, and lithographs. japonisme in full... uh... bloom.

jo worked in the 1920s and 30s in japan, though it has been suggested that he may not be japanese. but don't you love that little grasshopper.

shodo kawarazaki's two prints come out of the 1950s, a tradition worth keeping, kept.

and this is from 1995, and not from japan at all, but much of this artist's work shows a clear understanding of the sensibility.

many thanks to cerf à paillettes for turning me on to robert kushner.







when japan did what it inadvertently did to teach us seeing, it left a lasting impression.

stealing magnolias

i haven't seen this before, a nearly exact example of copying (minus the bird), though i suspect that kawarazaki has done it before -- haven't really looked carefully at all of his work, but a swift glance suggested to me that he had.

I've been wondering how it is that with all of these won- derful kimono patterns, one never sees two alike; it seems true but i'm still looking.

nor have i yet found anything to read about this kind of thing, but maybe i just haven't hit on the right search yet.




in any case, i'd suggest 'inspired' is a better word than 'stole' when talking about these astonishingly beautiful windows from tiffany's laurelton hall estate, burned in 1957.

they are part of a new exhibition at the metro- politan museum of art in new york: "Louis Comfort Tiffany and Laurelton Hall: An Artist's Country Estate" continues through May 20, 2007.

(upper right, keiren imao; upper right, kawarazaki shodo. the first is thought to have been done ca. 1885. there's no date on the second but the artist was born in 1889!)